This font was originally released during the 1930s as part of the Deutschmeister font family at the type foundry Ludwig Wagner. FDI Neumeister is a carefully crafted revival released for free under the Open Font License. This was made possible by the generous support of people around the world, w...
Die Reklameschrift Bombe erschien 1908 bei der Schriftgießerei Ludwig und Mayer in Frankfurt. Nun ist die Schrift in einer hochwertigen und umfangreich ausgebauten Digitalisierung in unserem Download-Portal erhältlich. Otto Ludwig Naegele (1880–1952) war ein deutscher Grafiker, Illustrator und Ma...
Free download of Impact Label Font Family with 2 styles. Released in 2008 by Tension Type and licensed for personal-use only. Use our font generator to create a custom image that you can download.
Barbieri is a casual, compressed san-serif family based on German lettering styles from the 1950s and ’60s. The original hand-drawn alphabet appeared on the cover of a Deutsche Grammophon edition of 'Der Barbier von Bagdad', an opera composed by Peter Cornelius. Unlike many typefaces in this genre, Barbieri is a version-rich family of five weights ranging from Thin to Black. These playful, expressive styles work especially well for video games, children’s books, apps, toy brands, T-shirts, packaging, posters, greeting cards, and cover art.The set also includes discretionary ligatures, alternate forms, tabular figures, and wide language support for Central European and Baltic languages.
Alt characters not showing up as alts for designated letters - Glyphs Forum
Once the font has been instaled in illustrator/photoshops glyphs panel I can see all my fonts characters, however, If I highlight the “a” and click the “alternate for selection” my alternate a’s do not appear. this is the case for “a-z” I have names my alternates in different ways such as (.001, .ss01, .cv01) The font is a hand-lettered font so I do have some code in CALT to cycle through two different classes variants of the font. any insight would be greatly appreciated 🙂
Alternates let you define multiple glyphs for a letter, a digit, a symbol or any other character of your alphabet, so your font ends up with a main glyphs, and secondary, alternate glyphs.
What makes a script font really neat, is when it has a bunch of alternative glyphs for different positions, and the right OpenType features to trigger them. Find out how to do it right in this tutorial.
No modern font is complete without them, and Glyphs helps you build them. In this first installment about OpenType features, we’ll explore the very basics and what Glyphs can automate for you.
flipping typical: preview text & compare your fonts easily
A typography/design tool. Type in some words and they instantly display in the typefaces you have installed. Compare your fonts to make sure you choose the right one.
There used to be a page on Wikipedia listing pangrams in various languages. This was deleted yesterday. Pangrams can be occasioanlly useful for designers, so I’ve resurrected the page of here, pretty much as it was in Wikipedia.
This is a specialized version of Inter with tighter spacing, for display usage. This version also has Roman and Italic styles. To contribute, see github.com/rsm
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output.
Inspired by lettering I found on the ferry from Woods Hole to Martha's Vineyard here in Massachusetts, Ships Whistle is a monoline, display sans-serif in eight styles: Clean and Rough versions of Regular, Italic, Bold, and Bold Italic. Great for signage and way-finding and maritime vibes. Includes upper and lowercase,
